DJOSER aka “COBRA KING” (15th PHARAOH) — STEP PYRAMID OF SAQQARA & LIMESTONE STATUES
~14 pharaohs ruled between Narmer and Djoser (1st + 2nd Dynasties).
Djoser’s reign marks the first major surviving monuments in stone, making him historically prominent.
The cobra statues near Djoser’s Step Pyramid are part of the ceremonial and symbolic architecture of his mortuary complex at Saqqara, and they represent the Uraeus, the sacred Egyptian cobra.
Step Pyramid of Saqqara, seated limestone statues, monumental reliefs; reign of Imhotep
NARMER aka MENES aka “THE CATFISH KING” (1ST PHARAOH) — NARMER PALETTE & MACEHEAD
The “first pharaoh” of a unified Egypt is traditionally considered Narmer (sometimes also called Menes).
Unified Upper and Lower Egypt into a single kingdom.
Narmer Palette: A famous ceremonial palette showing Narmer wearing the crowns of Upper and Lower Egypt, symbolizing unification.
Narmer Macehead — a carved ceremonial mace with his name, now in the Ashmolean Museum in Oxford.
Narmer is sometimes called the “Catfish King” because of the symbols used in his name on early inscriptions, particularly the Narmer Palette and other ceremonial objects.
In some early inscriptions, his name is written with a catfish symbol (representing “nar”) and a chisel symbol (representing “mer”).
So Nar‑mer = catfish + chisel in hieroglyphs.
Narmer Macehead — a carved ceremonial mace with his name, now in the Ashmolean Museum in Oxford.
BUCKINGHAM PALACE
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THE CROWN JEWELS
THE WORLD’S FAIRS and other conspiracies: a film by KALKI
I made this movie for two reasons.
My dad didn’t understand my first movie ROMA which is a tour of Italy including the Vatican without ever setting foot in Italy.
This movie is about The World’s Fairs and the Idea of “Tartaria”
I became interested in the World’s Fairs when all the Tartaria conspiracies were going wild on x. I decided to look into where it was all coming from.
It seemed like the source were pictures from the World’s Fairs where the buildings we were told were “temporary structures” all looked very immense and sturdy. Some even still stand today like Field Museum in Chicago.
It didn’t make sense. We never saw these pictures in high school. Most of us who are interested in this topic probably graduated from high school in 2000 or before.
Anyways, after more research into how both San Francisco and Chicago were on maps before the 13 colonies, I discovered that that Kodak invented the commercial camera shortly before these World’s Fairs happened.
And then mysteriously everything was burned down. It made me wonder, was there a civilization here previously that left structures–perhaps even the French–like Louis XIV–who liked the type of architecture we see in the World’s Fairs. There were no cameras before The World’s Fairs.
There are a lot of reasons not to burn down such structures. But there is only one reason to. Politics. See for yourself, do these look like temporary structures made out paper mache?
THE WORLD’S FAIRS
I made this movie for two reasons.
My dad didn’t understand my first movie ROMA which is a tour of Italy including the Vatican without ever setting foot in Italy.
This movie is about The World’s Fairs and the Idea of “Tartaria”
I became interested in the World’s Fairs when all the Tartaria conspiracies were going wild on x. I decided to look into where it was all coming from.
It seemed like the source were pictures from the World’s Fairs where the buildings we were told were “temporary structures” all looked very immense and sturdy. Some even still stand today like the Museum of Science and Industry in Chicago.
It didn’t make sense. We never saw these pictures in high school. Most of us who are interested in this topic probably graduated from high school in 2000 or before.
Anyways, after more research into how both San Francisco and Chicago were on maps before the 13 colonies, I discovered that that Kodak invented the commercial camera shortly before these World’s Fairs happened.
And then mysteriously everything was burned down. It made me wonder, was there a civilization here previously that left structures–perhaps even the French–like Louis XIV–who liked the type of architecture we see in the World’s Fairs. There were no cameras before The World’s Fairs.
There are a lot of reasons not to burn down such structures. But there is only one reason to. Politics. See for yourself, do these look like temporary structures made out paper mache?
-Kalki
music by:
ST. LOUIS
CINCINNATI
BONUS MATERIAL
